Patients Who Lie to their Doctors

I’d like to share an open secret about my day job. Patients lie to their docs. Patients lie about how often they exercise, how much they smoke and drink, and whether they’re taking their medicine. And, as a respiratory therapist, I hear people grossly underestimate the severity of their symptoms. The other day, I saw a man hunched over, gasping at a rate of thirty, yet declaring his breathing was fine. I humored him, but I wrote up the true findings on his chart. And, when I’ve had bad bronchitis, I sat in the doctors hunched over, and telling my doc my breathing was fine.
Howcumzit? Breathing is a basic function, and when that goes sour, everything in your life feels wrong. When you get sick, your job security and insurance coverage are on the table. People fear the doctor might judge them, so they try to appear at their best. And so the fibs start coming, and sometimes with serious consequences. Example: a diabetic binges on sweets, comes to doctor with a grossly high sugar level, and lies about his transgression. The doctor beefs up the insulin and sends the patient into low blood sugar and insulin shock.
You may wonder how all this can relate to writing. It bears chatting about my day job because most of the medical background in my books came from that job. Including the lies patients tell their doctors.
In my book Dark Side of the Moon, protag Becky told the Employee Health doctor a whopper when she got her physical for to work at Betsy Ross Hospital. She knew she had blood irregularities, and so did her family doctor. But no self-respecting Employee Health doctor will clear someone for work with undiagnosed blood cell abnormalities. So Becky got her family doctor to fudge the lab report. I would bet all the balloons in my home, and fatten my collection by betting, that she didn’t say squat about telekinesis to the employee doc. Dr. Hoffman figured out the score when she got pregnant, and alas, he acted like a jerk.
Lying to doctors can be a useful tool in your fiction, and may help you explain how people who are “not right” end up in responsible jobs. Imagine this: You work as a nurse on a floor of 50 people, and your boss hires someone who is incompetent. Perhaps she skips treatments and starts blowing up at people. The character has a history of psychosis, and lied about it on her application. Perhaps she knows something incriminating about the head boss. The stage is set for later, if she does get canned, for the woman to show up on the premises with a shotgun.
So have fun with the lying tool, and let your characters lie to their hearts’ content. But in real life, if you’ve been naughty, ‘fess up to your doctor. Your health (and your writing, as a consequence) will be much better for it.

What the Workshop Conference Leaders Don’t Tell You.

What the Conference Workshop Leaders Don’t Tell you


I’ve been editing NTD magazine for some years and recently branched into publishing novels. Most of the truisms apply: show, don’t tell,
be scarce with adverbs and passive voice, go for the action verbs, and ditch anything that doesn’t belong to the story. With submissions I get, I run into a lot of little things that workshops leaders don’t discuss. And so, buckaroos, I’m adding my two cents to the pot.
I hate sloppily typed manuscripts as much as any other editor, but I will factor in the differences in software, i.e. Vista.. and XP. A lot of submitters are using Vista while I stick by my trusty XP, and the manuscripts come through with weird symbols. Suggestion:if you use Vista, consider sending the file as an RTF. RTF will agree with most programs.
The font my submission comes in doesn’t matter so long as it’s readable (keeping in mind I’ve got 54-year-old eyes). But you don’t want to keep changing fonts as you work on your manuscript, especially in Word. Why? Because Word is temperamental. I once worked on a manuscript that had been reformatted several times and ran into big issues with Word – big gaping spaces between paragraphs. The road to Hell in Word is paved with reformatted documents, by gum.
A couple of months ago, someone queried me for book submissions, and I requested a synopsis. I never heard from that writer again. It is true – the synopsis will demonstrate one’s writing ability, and gives the publisher an idea if he or she would want to spend the time on that book. It also gives the publisher a snapshot view of the story and serves as a road map when requesting or choosing a cover illustration. So if you send a badly written synopsis, you may end with an illustration you don’t like.
“Saidisms” are the sorts of thing that make me want to close down my computer and run to the nearest balloon store. He “commented, rejoinder, exclaimed, opined, observed, gasped, etc.” What happened to “He said?” Okay, “said,” can
get mighty monotonous, so go with the dialog tags.
Examples: 
Mary gasped. “Helen, what are you doing?”
Harvey yanked Rich by the collar. “C’mon!”
Anne smiled and pointed to the Mylar butterfly. “Oh, look at the
balloon.”

I find I have a tendency to use “to be” verbs, which deflate the punch from the manuscript. Better:action verbs, the kind of words that catch the eye.

Exercise: go through your draft, and see how many “to be” verbs you can find. Then substitute with an active verb and appreciate the difference. On that note, I think I shall go through mine, eliminate all the “to be’s,” and then head for the adverbs for good measure.

Coming in October, 2009

Coming in October, 2009

Blood Moons and a Word with Word

Current mood: content
Category:

Writing and Poetry

Blood Moons and a word with Word…

The last two weeks were a roller coaster ride, buckaroos, when I was formatting two novels on Word software. Author Tom Johnson, and I decided to put together a short story collection called Blood Moons and Nightscapes. Most of these are tales previously published in different magazines, stories that had enjoyed good reviews.

It was deceptively easy formatting, because I learned that with Word, if something has been formatted several times, it can ball up your whole document. A lot of those stories have been laundered through two different magazines, different formats, then back through the authors’ respective files. The result? Gaping white spaces between paragraphs and skipped pages, by gum. The file went back and forth between me, Tom, and Ginger, trying to figure out what to do about Word. I had visions of the project not making it to print, for the excess of the few white spaces. The file had been redone twice, and I learned some painful lessons. Do not over format. With Word, a little bit of formatting goes a long way.

When the project was finished, and the proof ordered, I rewarded myself with a balloon. I just finished another project for Night to Dawn books, Disco Evil: Dead Man’s Stand by Rod Marsden, which should be coming out soon. Ditto balloon reward.

Blood Moon and Nightscapes made the work worth it. When I got through formatting it, I was afraid to go into my closet. The frights made my fight with Word worth it. So I am walking away from this battle smiling, with hard learned lessons and nightmares under my belt. Not a bad way to end the day.

I’d like to hear about your experiences with Word and formatting. I have Windows XP, but it is my understanding that if you convert to Vista, Vista version’s of Word is not compatible with XP’s version. Most of my friends who have Vista hate it. I would like to hear your experiences.

Barbara

Dark Side – forthcoming novel

Sunday, May 16, 2009

Dark Side of the Moon
Current mood: focused
Category: Writing and Poetry
Roswell isn’t the only place aliens crashed.

In the early 1960s, the Kryszka crash near Philadelphia, nearly killing the star-traveling passengers. Two scouts, Eigil and his mother, tunnel above ground to explore. Disaster might still have been avertedif only it didn’t cross some hunter’s mind to shoot Eigil’s mother. But these are troubled, and frightening times, and frightened people often turn to violence.

Something inside Eigil snaps, and he descends into bitter hatred and fury. He swears revenge on the murdering natives of this alien world. He gazes at the sky, contemplates the moons surrounding his home planet, and promises himself to show humanity the dark side of their moon. He will hunt them, feed on them, treat them like cattle, and destroy them.

And kill them he does, for Eigil and his followers decide that human meat is very tasty. More potent is the taste of fear, gotten when they tear through their victims alive. It gets even better when they draw it out, one small body part at a time. Sometimes he will lie low so he will learn what he can about the humans. He is always watching. Always.

Harry becomes his prime target. He just buried his mother and his siblings blame him for her death. Also worrisome are reports of grisly murders and disappearances. When the Kryszka kill one of his own, he finds courage and strength of purpose, using his anger to protect his family. But he has to deal with the dragon of alcoholism. It’s a tough swim upward from the bottom of a bottle. Though his dragon may step aside, it never leaves him. Can Harry find the underground city, make peace with estranged relatives, stop Eigil’s corrupt plans, and do it all without taking a drink:

Becky, a successful college professor married to a doctor, appears to have at all. But she isn’t human quite. Underneath her scholarly exterior lies a wild telekinetic force created by mixing of alien and human genes. She drowns her sorrows in Mylar balloons (like yours truly). Unlike yours truly, Becky’s Mylar balloons are analogous to Checkov’s gun. If you see guns on the wall in the first act, they had better go off before the end of the play. Well, I don’t know about the balloons, but the helium inside them becomes crucial to the war. How? Read the book and find out.
Room
To read an excerpt, visit www.aspenmountainpress.com

Barbara
www.bloodredshadows.com
www.aspenmountainpress.com

Hello world!

Hello, friends and readers!

This is my initial post to tell you a little about myself.  I work full time as a respiratory therapist, and at night, publish and edit Night to Dawn Magazine & Books.  I also had some work of my own published. Recent credits include:

Dark Side of the Moon (Aspen Mountain Pres  – ebook format)

Twilight Healer (Filament Books – ebook format).

Blood Moons and Nightscapes, coauthored with Tom John, available in print form through the NTD imprint.

I belong to several author forums, my favorite being The Writer’s Coffeehouse. I keep in touch with my friends through Facebook and Myspace. For hobbies, I collect Mylar balloons – have about 60 of them. I live in Hatboro with my husband Mike.

At this time, I am transferring some of my old blogs from Myspace, and will be doing future blogging through this site.

To find out more about my word, check out the following sites.

www.bloodredshadows.com

www.myspace.com/barbaracuster

www.darksideofmoon.com.

Don’t let the shadows get you!

Barbara